From the archive... #20

If you live long enough, you see everything... women wearing canapés! Yum?

This shot was taken at a recent commission at One Marylebone where my role was to shoot a pretty lavish birthday party. The design and planning of the evening was undertaken by the terrific Cranberry Blue Wedding & Events

I'm hoping to write a little piece about the detail and superb look of the main dining room itself, but in the meantime imagine the welcome drinks being livened-up by pretty girls displaying nibbles about their person, in this case via a two-tier 'neck brace'.

If that isn't a thought to keep you warm during a cold weekend, then nothing is...


From the archive... #19

Kids at a wedding: honest, unpredictable and always great value for a photographer.

This little fella was getting itchy pants awaiting the bride and simply wouldn't keep still. I hesitate to use the word 'stalk', but I did track him around the church in a weird game of 43 year old cat and 4 year old mouse. The old cat won...

This image is also a perfect example of where monochrome really brings more to a shot than colour. A bright background and low-light foreground emphasise contrast, and in this situation colour would soften the effect and lessen the moment.

Through the lens... the media stampede

I lost count of how many txts I received that day. No, not invitations to dinner and drinks; it was because my face had popped-up on the lunchtime news - busily shooting in the background of the shot below. Fame at last. Sort of.

Early in 2013 I'd been shooting material with Sir Chris Hoy, Britain's Olympic track cycling hero and all-round terrific bloke. The commission, at The London Bike Show at Excel, was for Jaguar, with whom I was working closely. Jaguar does lots of really creative PR with Sir Chris on both their product range and via his involvement with The Jaguar Academy of Sport

The day was rocking along nicely: the shots of the new Olympic kit were done, the press conference and Q&A went well and my set-ups with the snazzy new Jaguar Sportbrake were in the can. Then the TV teams went into overdrive. As they always do.

Sir Chris was ambushed on the way out and pushed for a quote on the unfolding Lance Armstrong doping scandal (Armstrong’s interview with Oprah had aired in US the night before). Of course, he didn't want to get involved, but the questions kept coming. Eventually he stated his position and left. Caught up in the TV camera scrum I was cornered behind Sir Chris. So I had only one option: to record the scene because you never know when these shots might be useful in the future. 

Having got their sound bite, the media pack fled to the nearest wifi and things calmed down. But around about then my phone lit up with txts with friends complaining I'd ruined their lunch... 

Cool stuff: Evernote...

At school I liked a tidy pencil case and took more than a little pride in having books neatly stacked in my bag. I got annoyed when brand new jotters and pads were scratched. A pretty scary primary school kid. 

Fastforward slightly to a young freelance photographer making his way and I recall a time when everything was printed out and chucked in a manilla folder (further fuelling my silent hatred for filing cabinets). Such actions were/are plodding and dull, with no latitude to fine-tune to your personal taste.

No more. Business life is now wonderfully digital and I am convinced Evernote was designed for me and me alone - the fact that millions of others use it every day must be a profitable bonus for the programmers. At the risk of coming across like a teenage girl on WhatsApp - I really couldn't get through a day without using it...

The key here is simplicity, because let's face it none of us have the time to faff.

In the office we have our entire client filing system on Evernote. To the extent that if I'm abroad I can instantly call up any invoice or doc relevant to any client. I can then resend it, annotate, or simply react to an email with info plucked from their contact history. This info is synced across smartphone, tablet, laptop and desktop.

Just a few years ago a filing system this powerful would have meant commissioning a specialist firm to create a bespoke software package. Assume a budget of tens of thousands even for a small business.

Try it, it's genius, and for lower usage users it's absolutely free!. Get a feel for the system via this video - or read this excellent New York Times overview

From the archive... #17

Morning preps are one of the nicest parts to shoot of any wedding day. It's a gentle hour of detail and quiet shots which virtually nobody else sees.

This little scene is my vantage point through a connecting door to one the grand suites at The Renaissance Hotel, St Pancras. Hair is virtually done and the donning of the dress is minutes away - so I kept my distance to ensure the moment wasn't lost. 

I think of it as a 'doorman's eye view'...

Behind the scenes: Mirror Mirror Couture studio shoot...

Blame Star Wars. I was 7-years-old when I saw the movie. Try as I might, I couldn't get my own head around the fact that this fantastic sci-fi world came out of one guy's mind. And I don't mean George Lucas. I mean his conceptual artist, Ralph McQuarrie.

From then on I only ever wanted to do something creative for a living. Photography ran in the family and so it was decided. The problem is that professional photography - in whatever area you work - is wildly different to what you might expect. Nearly every job becomes an (enjoyable) battle against time and logistics. As anyone who works in the creative industries will tell you: there’s a lot of frustration along the way.

So when you get a day in a studio when there's latitude to get things just right, via the help of a great team of people, you grab it and try your very best to end the day with absolute creative satisfaction. This was the case when I shot the new Couture range for Mirror Mirror Bridal at the stunning Renaissance Hotel, St Pancras.

The brief was to produce a simple, clean, stylish set of images which were all about the dresses, but it's surprising just how much work and tweaks are involved to create an end result which looks like, well, as if there was not much work and not that many tweaks required.

The designers, make-up artists, hairdressers, my assistant and an organiser overseeing the running of the schedule, all listed below, made my life incredibly easy on the day and I think the results really hit the mark. Less is most definitely more. The dresses are sublime but their aesthetic appeal was absolutely heightened by terrific models Tabitha Hall, Tijana Tambric and Emily Steer - all of whom were a joy to shoot.

Designers: Maria Yiannikaris & Jane Freshwater at Mirror Mirror Bridal. Wardrobe: Natasha Yiannikaris at Mirror Mirror Bridal. Hair: Anna Acerbi & Michele Antiga at Hair Supreme. Make-up: Andrea Flynn, Pamela Skantzos at Pamela & Andrea + Andrea Elsby Jones at Mirror Mirror Bridal. Stylist: Penny Cullen at Love Scarlett. Studio assistant: Alexandra Nicolaides. Hotel coordination: Clare Legg at The Renaissance, St Pancras.

Click any image to enlarge, or enjoy the 'behind the scenes' video produced by the terrific Kissing Gate Films